Saturday, 27 August 2016
Oh no they won't!
Writing a book and getting it published, by whatever conduit you use, is only the start. To get any sales, you have to make people aware of your masterpiece. In this blog, I'm exploring some of the ways I use to promote my work, because unless you are out there, loud and proud, nobody will notice you.
1. Social Media: There are loads of blogs about how to use Twitter to enhance your digital presence . Suffice to say that most of my sales come from Twitter. And practically all come from people recommending the books to other readers, and that comes from me chatting, interacting and posting funny stuff and reciprocating favours. In other words, I'm a friend first, an online character second, and a writer selling books third.
2. Press Releases: The local press are (usually) delighted to receive a press release, a publicity pic and a free copy to review.
2a. Press Releases: Anywhere your book is set will be delighted also.
3. Local Radio: Contact them via Twitter, phone them up, arrange to do a studio interview. Listen, I sound like a 15 year old mainlining helium, but I still do it.
4.National Press: Will be interested if you have a brilliant backstory, particularly if it involves abuse, or hardship. Also if you earned shedloads of advance shekels or you are very very photogenic. I haven't cracked this one yet. Maybe you will.
5. Literary Festivals: Everybody's doing it. Local library will have contacts of yours. Get in touch. I've done the St Albans Literary Festival twice. I ran a workshop on how to get published ... ooh, and I had some books on a side-table. Next year I hope to extend my range a bit and do some further afield.
6. Signings: Local bookshop is worth approaching. Also local gift shops and Oxfam.
7.Talks: WI ~ you have to audition and be approved, but it's worth it. Local book clubs/writers' groups, libraries are also worth contacting. If you write YA or children's fiction, schools are always keen to have a visiting writer. Make sure you get paid ~ the Society of Authors has recommended fees.
As you now see, there is a lot more to being a writer than merely writing. Writing is the ''easy'' bit! And lest you should eye your mainstream published brethren and mutter 'bet they don't have to do all this' ~ YES THEY DO! Big publishers are very selective about who they spend their publicity budgets promoting. If it ain't you, you will still have to do the legwork. I've spoken to some ''famous'' names, and it is so.
Finally: make sure you are registered for PLR - Public Lending Rights: that's the money paid by libraries every time your book is borrowed. You can register at www.plr.uk.com. Every little helps.
If I've missed out your favourite publicity medium, then please mention it in the comments. Congratulations on being a published author, welcome to the club. Now get out there and sell!
Saturday, 20 August 2016
|New cover ... almost ready|
They always say you shouldn't judge a book by its cover.
I have received both praise and 'stick' for my covers. Interestingly, the praise has always come from readers, who appreciate the nuanced designs, with their nod to original Victorian covers. This is deliberate ~ if you read the novels, they are not just fast-paced detective stories, but a 'homage' to the style of novels of that period, which I frequently reference as I go.
The 'stick' has come from various publishers who've approached me to ask if I'd consider letting them take the series over ON CONDITION that they changed the covers.
So I shall continue to have my own bespoke covers, using original Victorian fonts and colours (the new one is teal) until I run out of ideas. And in case you can't make out the blurb, here's what the complete description on Amazon will look like:
The city is in the grip of railway mania when the gruesome discovery of several infant corpses in an abandoned house forces Inspector Lachlan Greig of A Division, Bow Street Police Office and his men to enter the dark and horrific world of baby farming. It will take all Greig's skill and ingenuity to track down the evil perpetrators and get justice for the murdered innocents.
Meanwhile two school friends Letitia and Daisy stand side by side on the threshold of womanhood. One longs for marriage to a handsome man The other craves entry to higher education. Will their dreams come true, or will their lives be shattered into little pieces by the tragic and unexpected events that are about to overtake them?
|Some lovely late Victorian covers|
Grab DIAMONDS & DUST, the first in this electrifying series.
Praise for HONOUR & OBEY:
“Carol Hedges has again delivered a book which is written to be devoured in one sitting.” ~ A Woman’s Wisdom
Praise for DEATH & DOMINION:
''I love Carol Hedges' portrayal of atmosphere .... and her gift for conveying exactly what a character is like.'' ~ Rosie's Book Review Team
So that's my cover philosophy. That's how I roll. How about you ~ what makes a 'good' book cover? Please join in the debate...
Saturday, 13 August 2016
In 1971 I graduated from Westfield College, University of London with a BA (Hons) in English & Archaeology. I took it for granted that I had a right to go to university and that following my degree, I would enter the marketplace as a professional woman, equal to any man doing the same job of work.
I started researching the roles and expectations of young Victorian women for my novel Murder & Mayhem (publ this September). The story features bright 17 year old ‘Feminist’ Letitia Simpkins who desperately wants to learn more, but is denied access to further education by her authoritarian father. It made me realise how lucky I was to have been born in the mid-20th century rather than the mid-19th century.
For bright young Victorian women, the doors to further education closed at 16. Intellectual curiosity and thinking skills were considered a waste of time, given that the purpose of a woman’s life was to marry and be the mother of (many) children.
As one contemporary wrote: “Girls are to dwell in quiet homes, among a few friends; to exercise a noiseless influence, to be submissive and retiring.” (Sewell, Principles of Education).
Interestingly as far back as 1694, Mary Astell’s A Serious Proposal to the Ladies suggested a type of university education. But of course, the very fact that the proposer was female meant that the idea was not taken up or considered seriously.
Women were just thought of as physically incapable of scholarship. For a start their brains were nearly 150 grammes lighter than men’s brains. So that must indicate that their intellect was weaker. And then there was the vexed question of menstruation, which sapped the body of lifeblood.
Put those two together, and it was quite apparent that women who used their brain too much ran the risk of becoming sterile, as their wombs atrophied, thus negating their purpose in life, or even worse, producing “a puny, enfeebled and sickly race” of children.
You may laugh, or gasp in amazement, but this was a widely held medical opinion at the time. Girls were strongly advised to focus on making their homes a sphere of accomplishment, rather than striving for a higher education. And to wait patiently for some young man (who may well have had the benefit of a university education) to come calling.
That the ‘petticoat problem’ began to resolve itself was entirely due to the actions of a few determined young women who decided that rather than break down the doors, they’d pick the lock and fight for equal education for women.
In 1850 North London Collegiate School opened, followed a few years later by Cheltenham Ladies College. The key word is ‘college’ – these weren’t places to learn embroidery, a smattering of French, some maths and what to do in a thunderstorm. They were seats of learning, encouraging girls to see themselves as capable of entering university and from there, the workplace.
In 1879 London University became the first to admit women undergraduates on the same terms as men. One of the pioneering women who enabled this to happen was Constance Maynard, who in 1863 campaigned for girls to be allowed to sit the Cambridge Locals (the equivalent of GCSEs) and then the Higher Locals (A levels).
When I was at Westfield, originally founded as a women’s college, my hall of residence was called Maynard House, a fitting tribute to a Bluestocking pioneer. Without women like her, prepared to step out of the shadows and campaign for their beliefs, I would not have had the benefit of a university education, and the opportunity to have a productive and fulfilling career.
Murder & Mayhem: an extract
In which our heroine Letitia Simpkins discovers an unpleasant truth:
''The pleasant and instructive visits to the Regent Street Ladies’ Literary & Philosophical Society seem a distant memory. The outside world seems a distant memory. There is nothing in Letitia’s life now that she recognises. The joy of it has run out as quickly as it gathered.
Letitia pauses outside the parlour door which unusually, has been left ajar. She leans against the door jamb, bone weary and despondent. She sees her papa and Mrs Briscoe sitting side by side on the sofa. Mrs Briscoe is speaking. It takes Letitia a few seconds to realise whom she is talking about.
“Really, it is a most unfortunate situation. The girl has barely learned sufficient to equip her for a useful life. I do so sympathise with you, my dear friend. That mauvais quart d’heure in between school and marriage is always difficult.”
Her father snorts.
“It was Susan’s whim to send her to the boarding school in the first place. She thought mixing with a better class of girl would help her find a husband. As if any self-respecting man will marry her. She hardly has the looks to attract a suitor. And I cannot offer a dowry - there is the boys’ schooling to pay for, and then their university fees. They must have the best start in life.”
“I do so understand. And of course, you are quite right. But as I wrote in my little pamphlet: How to be Happy Though Unmarried, there are many things a girl can do. The poor are always with us, so there is plenty of charity work.
“And there is no household task that any girl should deem beneath her position to perform, as I have frequently reminded Letitia. All these useful occupations will enable her to pass her days in dignified tranquillity”
Letitia’s eyes brim with tears. She does not know what hurts more, to hear her own father admit her lack of beauty, or to understand that he does not care what happens to her in the future. However Mrs Briscoe’s next remark causes her to breathe in sharply.
“Has she had any more letters from those vile Women’s Rights creatures?”
“Not for a while.”
“I am so glad you managed to intercept them, my dear. A parent must be vigilant at all times. One tiny slip, and a girl’s reputation is gone, never to return.”
“I have locked them away safely, never fear. And I have instructed Mary to make sure the post in and out of the house is always placed directly upon my desk.”
Mrs Briscoe leans forward, placing her hand on his.
“It is no more than your duty as a loving caring father. And now that you are a widower - though hopefully not for too long, you must be even more vigilant on your daughter’s behalf.
“A young girl’s true sphere is in the home, and there she shines brightly. Skill with her needle is the only accomplishment she needs.” ''
(Murder & Mayhem tbp.)
Saturday, 6 August 2016
|Luke Fildes Admission to a Casual Ward (1874)|
Henry Mayhew, writing twenty years earlier, paints an equally vivid picture. He describes:
''..the homeless crowds gathered about the Asylum, waiting for the first opening of the doors., with their bare feet, blue and ulcerous with the cold, resting for hours on the ice and snow in the streets. To hear the cries of the hungry, shivering children ..is a thing to haunt one for life. There are 400 and odd creatures utterly destitute - mothers with infants at their breasts - fathers with boys holding by their side - the friendless - the penniless - the shirtless, shoeless, breadless, homeless; in a word, the very poorest of this the very richest city in the world.''
(Mayhew, London Labour & The London Poor volume 111)
Although the Workhouse has had a very bad press - think of Oliver Twist, many poor people had no option but to enter it, even if only temporarily. For a large percentage of the working poor, jobs were seasonal or sporadic. Men were hired by the day (docks), by the season (agriculture) or for a limited time (May-June was the London Season). With no trade unions, no labour laws and no minimum wage, they were unable to budget. No work = no pay. Any work-related accidents at a time when medical care had to be paid for, could spell disaster.
Once they entered the Workhouse, personal possessions were taken away, and families split up. Inmates quickly became institutionalised and neglected. The routines of hard physical labour, the poor quality food, the feeling of belonging nowhere and having no future must have been devastating upon their sense of self.
In Honour & Obey, the Clapham family are driven out of their slum tenement by their ruthless landlord, Morbid Crevice. Here, they encounter their first taste of Workhouse life:
The family are led through a series of dark passages, then across a dismal yard to a bare unlit room. Cold from stone flags seeps into their thin shoes.
''Women and children in there,'' the porter says, pointing at a closed door.
The woman clings desperately to her husband's arm
''Come along old gel,'' the man says. ''It won't be for long. I'll go out and find work tomorrow and we'll soon be on our feet again.'' But the hunch of his shoulders and the hopelessness in his voice belie his cheerful words.
The girl tugs at her skirt.
''C'mon Ma,'' she says. '''Best not to linger, eh?''
The man gives the girl a grateful look. She stares back, her eyes hard like stones. She isn't fooled. She knows that it is the end of the road for her family. That her little brothers and sisters will be sent elsewhere, that her father will sink even further into drink and her mother into despair. That is what always happens.
What she doesn't know is how she is going to get revenge on those who did this to them. Not yet. But she will.
(Honour & Obey by me)
Couple the sense of utter despair with the knowledge that society regarded the poor as 'undeserving' - it was widely thought character defects, drink or sheer idleness meant that people were reduced to beggary, homelessness or reliance upon the meagre provisions of the Workhouses. Reading derogatory articles in the press about the 'underclass' that inhabited the less savoury parts of the city, one can see how many on both sides of the poverty line regarded the workhouse as one step away from actually being in prison.
|Workhouse dining room|
Consider too the demonization of the poor via TV programmes like 'Benefits Street', the rush to condemn 'improvident' parents who have too many children/feed their families on junk food. The eagerness with which private landlords and councils now employ bailiffs to turn whole families out of their homes because they cannot afford to pay the extortionate rent.
This summer, one in five 'low-waged working parents' will go without food to feed their kids. Many people will visit Food Banks, or be reliant upon the charity of friends and relatives. We may have moved away from incarcerating the poor and elderly in barrack-like Workhouses, but little in our public attitudes towards them seems to have changed much.
As one inmate of Poplar Workhouse plaintively said: ''Poverty's no crime, but here it is treated like a crime.'' (quoted by Will Crooks, Poplar Workhouse guardian 1893)
In our time too.
Coming soon: Murder & Mayhem the fourth Victorian detective novel featuring DI Leo Stride, DS Jack Cully and a host of sparkling new characters
Tuesday, 2 August 2016
If you follow me on Twitter, you will be familiar with tweets like this:
❤ Read it?
❤ Loved it?
❤ REVIEW it!
#Writers make the world go round
I tweet it quite regularly to encourage readers to think about putting their thoughts (hopefully positive) onto a review site. One of my writer acquaintances @ has now started #AugustReviews with the idea of encouraging readers to write reviews of books they have enjoyed on Amazon, and then tweet the link so that we can all share it. http://terrytyler59.blogspot.co.uk/2016/07/augustreviews-because-every-little-helps.html …
So what are reviews for? I think they fulfill various functions. Firstly, they help other readers decide whether a book is for them. A slew of interesting and varied reviews (by this I mean at least 3 cogent paragraphs of analysis, not just: 'Ooh, I sooo love this book'/'I didn't get further than page 5') help one to decide whether to download/buy. Or conversely, whether not to waste your time. We are all time-poor. Reviews are therefore an aid to connecting the reader to the right book.
As a writer, I find reviews of my own books useful as a gauge to measure whether or not I am hitting the reader satisfaction button. Are they enjoying the story? Do they get it? Can they follow the plot? If not, how can I improve the reading experience for them in the next book. Reviews are also a personal encouragement - the writer's lot is an isolated lot most of the time. It is good to receive a little praise for one's efforts, especially when the serendipitous happens: a reader finds a whole new layer of meaning that had never occurred to me. Reviews can be a writer's best learning tool, if you let them.
Reviews are also very important in boosting sales.That is why I welcome the way sites like Amazon and Goodreads allow ''ordinary'' people to post reviews, and I get annoyed when some writers are sniffy about ''non-professional'' people expressing their thoughts and ideas,because believe me, the chances of most of us small/self published authors getting our work reviewed in mainstream papers or magazines, which is what we'd all like, are pretty remote.
For me, a special and unexpected reviewing source has also come from all those followers on Twitter who tweet a few lines saying how much they have enjoyed one of my books. Or, as someone did recently, treat me (and all my and their followers) to an excellently succinct chunk by chunk commentary on Diamonds & Dust as they read it on a long train journey. Interactive reviewing 2016 style. I never experienced this when I wrote teenage fiction and it has been a revelation.
So over the next four weeks .. and beyond, may I encourage you to read and review - it needs only be a paragraph or two. Long essays not required. But it will make a HUGE difference to the writer.
Saturday, 30 July 2016
The PINK SOFA had barely cleared the gin stains and cake crumbs from its previous guest, when Elizabeth Ducie knocked at the Attic Room door bearing chocolate and flowers. Ever susceptible to blandishments of any sort, and a great fan of her multi-coloured hairstyle, the SOFA is delighted to host her, and share with you, beloved fans of its rather louche lifestyle, the exciting news of her newly published thriller Counterfeit!
''I wrote my first pieces for public consumption when I was a teenager and the Catholic newspaper, The Universe was running a four-part competition. There was a crossword and other puzzles to complete, plus a short story and a poem to write. My toe-curlingly saccharine, not to say illogical, short story was about someone returning to religion after the death of her husband; and my poem was about the order of nuns who ran the school I was at. Rather to my surprise, I was one of the four prize-winners who won a fifteen day tour of France, Spain and Portugal, with an emphasis on religious sites. It was my first overseas trip and hated every minute of it!
Over the next forty years, I wrote millions of words, but all of them were non-fiction, scientific and highly technical. Along the way, I got over my aversion to foreign travel and eventually worked in more than fifty countries helping emerging pharmaceutical industries make drugs safely. I also gathered lots of experiences and anecdotes about the people I met and the places I visited. My husband often said I should write about my travels and I would answer ‘yes, one of these days.’
Then in 2005, I had a bit of a health scare and realised that today was ‘one of these days’. I started learning about life writing and travel writing, but was surprised to find I was better at incorporating my stories into fictional settings; which is why so much of my writing is set in Russia and Africa.
I self-published my first collection of short stories in 2011, but thought it a prelude to finding an agent and getting my novels traditionally published. However, my views gradually changed and now I am very happy as an independent. My debut novel, Gorgito’s Ice Rink, was runner-up in the 2015 Self-Published Book of the Year Awards, and that felt even more special than my teenage success.
In 2012, I decided I’d devoted enough time to pharmaceuticals and science and gave up the day job to write full-time. Well, I say full-time, but by the time I’ve factored in the production and promotion aspects of being self-published (which I love) plus all the activities associated with life in a small town in Devon, it’s rather a part-time occupation. But I’m having the time of my life. Today is still ‘one of those days’.
Counterfeit! is a thriller, set in Southern Africa. It introduces readers to Suzanne Jones, a regulator in the pharmaceutical industry, who is heading up a campaign to cut down the supply of fake medicines into Africa. The campaign becomes personal when a friend buys a bottle of counterfeit cough syrup with tragic consequences and Suzanne finds herself, her family and friends in increasing danger. While the story is fictional (and I am definitely NOT Suzanne Jones) there are real incidents in the book and conversations I had with government and industry people when I worked in Africa a decade ago.
I am a great fan of James Patterson’s books, especially his Women’s Murder Club series and wanted to develop a similar group of strong female characters. Counterfeit! is the first in a series of at least three novels involving Suzanne Jones and her team. It will be followed by Deception! and Corruption!, both of which I hope to bring out during 2017.''
This is the opening scene from the book, at a conference in Swaziland in 2004:
‘In conclusion, lack of controls on imports makes it inevitable that many of the medicines available in Africa today are counterfeit.’ Suzanne Jones looked up from her notes. The light was dim. Moth-eaten gold velvet curtains had been closed to block out the midday sun, but she knew the hall contained representatives of every branch of healthcare in the region. There were regulators, mainly black Africans, from Kenya, Uganda, Tanzania, Mozambique, Zambia and Zimbabwe, hoping to learn from their South African colleagues, known to be even stricter than the American Food and Drug Administration. There were the Asian owners of local pharmaceutical factories, desperate for hints on how they could win vital government tenders. The very few white faces in the room belonged to the Afrikaans distributors or ex-pat managers of the handful of multinational companies still trying to maintain a presence in Southern Africa.
Suzanne took a deep breath and spoke directly to the hundred-plus delegates. ‘The Intergovernmental Health Forum knows the problem is particularly bad here in Africa. We’re doing everything we can to disrupt the supply chains at the factories. However, Africa must play its part by tightening controls.’ She paused, smiling to take the sting out of her words. ‘Thank you for your attention. Are there any questions?’
‘I’m sorry, but I don’t have the luxury of worrying about quality. My responsibility is to provide enough drugs for all the people. If a few bad ones get through, it’s the price we have to pay.’ The Honourable Walter Mukooyo, Kenyan Minister of Health, leaned back in his chair. He mopped his forehead with a large spotted handkerchief, and glared over his half-moon glasses at the crowded hall, as though challenging anyone in the audience to disagree with him.
The minor civil servants who made up the Minister’s entourage were sitting in the front row, nodding vigorously. Suzanne bit back angry words. She tucked damp strands of long, straw-coloured hair behind her ears and tried to ignore the sweat trickling between her shoulder blades, down her back and soaking into the elastic of her knickers. She really didn’t want to lose her temper in front of this group. ‘That’s an interesting viewpoint, Minister,’ she said.
The Amazon global link: http://geni.us/ROFm
Friday, 22 July 2016
''Inspector Greig has served in the police force since he was eighteen. So he has seen and heard things that would turn the stomachs and harrow the souls of lesser men.
It takes a lot to move him, but as he scrambles into the hole where number 9 Hind Street formerly stood, and looks down on the small bundles that are being carefully examined by two of his men, he feels an unexpected surge of emotion.
“What have we got?”
Sergeant Ben Hacket stares at him, his youthful face white and stricken. He is a country lad, new to London and to the Metropolitan Police. He hasn’t yet developed the hard carapace needed to survive the horrors he will encounter.
“Eleven dead babies, sir.”
A couple of contractors watching proceedings from the edge of the hole, turn their faces away. Greig nods, takes out his notebook and begins the laborious procedures necessary whenever a dead body - or bodies - is discovered. Upon these notes will depend the report that he will submit to the authorities and the sort of inquiries that he may be requested to undertake as a consequence.
He writes down where the tiny bodies are lying, drawing sketches of their exact position and relation to each other. He makes notes on the old rags and newspapers covering them, and checks for any objects that may be in the vicinity that might have contributed to their deaths.
He works swiftly and in grim silence, watched by his colleagues and the shocked group of contractors. At last he closes the notebook and glances at Sergeant Hacket.
“There will have to be a coroner’s inquest,” he says quietly.''
Murder & Mayhem
It isn't often that I find myself writing through my tears, but for Murder & Mayhem, the fourth book in the Stride & Cully series - shortly to be published, this was the case. One of the themes in the book revolves around the awful practice of baby farming, via the chilling discovery of murdered babies in the cellar of an abandoned house.
In Victorian times the attitude to illegitimacy and unwed mothers was harsh and punitive. The Bastardy Clause in the New Poor Laws of 1834 deliberately absolved fathers of any responsibility for their bastard children (sic) thus economically victimizing the mother in an attempt to restore female morality and discourage others from indulging in extra-marital promiscuity.
The practice of baby-farming was a direct result. Young women who had been seduced and abandoned, or raped by their employers would pay an individual to 'adopt' or 'foster' their children. The fees demanded by these individuals varied from £80 for well-off parents who wanted to keep the birth secret, to £5 for poorer women.
Once the fee was paid and the baby handed over, its fate was sealed. Starvation leading to early death. Babies were plied with alcohol, laudenum or Godfrey's Cordial - an opium based sedative, which meant they passed their short lives semi-comatose and disinclined to eat. Their milk was watered down with lime or other substances. The sole aim was to get rid of them as quickly as possible, so that more money could be made.
Often, babies were buried in the backyard, or their emaciated little bodies were wrapped in old rags and newspapers and dumped in deserted streets. Many were thrown into the Thames. Even when discovered, local coroners would probably record the deaths as 'lack of breast milk' or 'debility from birth'. Greig is lucky that in his case, the evidence of malpractice is so overwhelming that the coroner records a verdict of unlawful killing, meaning that he is free to track down the baby farmers and bring them before the courts.
Ironically there were vigilant laws in place against the mistreatment of animals, but until 1872 there were no regulations against the mistreatment of infants. Newspapers like the Daily Telegraph or the Christian Times ran scores of adverts from 'widows with a small family' who would be 'glad to accept the charge of a small child'. Such was the horror of illegitimacy and the reverence for the sanctity of the family that it wasn't until 1897 that an amendment to the Infant Protection Act empowered local authorities to actively seek out baby farmers and remove children to a place of safety.
I find it equally unbelievable that several earlier attempts to stop baby farming were opposed by Parliament and members of the National Society of Women's Suffrage, who all saw it as an infringement on the rights of parents and an attempt by the state to interfere in ordinary citizens' lives.
Saturday, 16 July 2016
Catherine Curzon, alias @MadameGilflurte, Glorious Georgian ginbag, gossip and gadabout; professional purveyor of 18th century royal tales is no stranger to the PINK SOFA. Indeed, it is still recovering its equilibrium from her last raddled visit. However, as she has a new book out, the Sofa has dusted itself down and is delighted to host her, and any alcoholic beverages she may have about her person, once again.
''When gadding through the annals of royal history for Life in the Georgian Court one thing I discovered was that things were anything but plain sailing for our 18th century monarchs. One lady who learned this to her cost was Maria Isabel, Queen of Spain, a woman who was just 21 years old when childbirth with a grisly surgical twist claimed her life.
Maria Isabel was born an Infanta of Portugal, daughter of John VI of Portugal and his wife, Carlota Joaquina of Spain. They didn’t look for for her arranged marriage and the young last was betrothed to her maternal uncle, Ferdinand VII. Family ties be damned; he needed an heir and Maria Isabel was the ideal candidate to provide one.
The royal wedding took place on 29th September 1816, with the nineteen year old bride married to her thirty two year old uncle and set for a life in Spain. Surprisingly given how so many royal weddings went, their marriage actually got off to a happy start. Imagine then the celebrations when, just a few months after the knot was tied, news reached the respective royal families that their longed-for heir was finally on the way. Things were indeed rosy in Spain!
Sadly the happiness of the couple was short-lived and though Maria Isabel delivered a daughter, María Luisa Isabel, in August 1817, the little girl lived barely six months before her premature death plunged her bereft parents into mourning. Once again the court waited with baited breath for announcement of a pregnancy and once again a pregnancy was duly announced but, sadly, once again the event was not destined to be a happy one.
Maria Isabel went into labour in December 1818. For long, agonising hours she tried without success to deliver a stillborn, breeched baby until her strength deserted her. The prolonged seizures Maria Isabel suffered during the delivery left her in a coma so deep that the royal physicians believed she was dead. They immediately began to cut into the apparent corpse of the queen, intending to remove her stillborn daughter. Horrifyingly, Maria Isabel was not dead, though she soon would be.
With horror the physicians started back as the supposedly dead woman gave a cry of agony at the touch of their blades, the newly-made surgical wound in her abdomen already bleeding profusely.
So comprehensive were the queen’s injuries from both the difficult birth and the surgery that followed that she had no hope of survival. She died that same day, aged just twenty one. Her bereft husband mourned his wife deeply and built the Museo del Prado in honour of her dedication to art and antiquity, a monumental achievement that stands to this day.''
About the Author
Catherine Curzon is a royal historian and blogs on all matters 18th century at A Covent Garden Gilflurt's Guide to Life.
Her work has featured by publications including BBC History Extra, All About History, History of Royals, Explore History and Jane Austen’s Regency World. She has also provided additional material for the sell-out theatrical show, An Evening with Jane Austen, will she will introduce at the Royal Pavilion, Brighton, in September (tickets are available here).
Catherine holds a Master’s degree in Film and when not dodging the furies of the guillotine, she lives in Yorkshire atop a ludicrously steep hill.
Her book, Life in the Georgian Court, is available now from Amazon UK, Amazon US, Book Depository and all good bookshops!
Life in the Georgian Court
As the glittering Hanoverian court gives birth to the British Georgian era, a golden age of royalty dawns in Europe. Houses rise and fall, births, marriages and scandals change the course of history and in France, Revolution stalks the land.
Peep behind the shutters of the opulent court of the doomed Bourbons, the absolutist powerhouse of Romanov Russia and the epoch-defining family whose kings gave their name to the era, the House of Hanover.
Behind the pomp and ceremony were men and women born into worlds of immense privilege, yet beneath the powdered wigs and robes of state were real people living lives of romance, tragedy, intrigue and eccentricity. Take a journey into the private lives of very public figures and learn of arranged marriages that turned to love or hate and scandals that rocked polite society.
Here the former wife of a king spends three decades in lonely captivity, Prinny makes scandalous eyes at the toast of the London stage and Marie Antoinette begins her last, terrible journey through Paris as her son sits alone in a forgotten prison cell.
Life in the Georgian Court is a privileged peek into the glamorous, tragic and iconic courts of the Georgian world, where even a king could take nothing for granted.
Order the book at: http://tinyurl.com/hzck6oc
Visit Catherine's blog: madamegilflurt.com
Facebook page: https://www.facebook.com/madamegilflurt/
Tuesday, 12 July 2016
It is one thing to be researching the past for a work of fiction, it is quite another thing to be searching it for one's own past. I sent my family name out into cyberspace, not sure what was going to come back. Not much did, to begin with. I found a reference to my father's business. I found a list of the books my mother had translated from German to English. Nothing significant.
I emailed the German Embassy to suggest that I was probably not going to be able to apply for restored citizenship after all as I was not in possession of the correct documentation. Privately I decided to give up. The Embassy's reply, when it came, was unexpected and heartening:
''Dear Ms Hedges,
if you are not in possession of the documents you can nevertheless apply according to Art. 116 and submit all documents or copies of documents you find. The application process is free of charge.
I resumed the search. And then someone on Facebook suggested I try Yad Vashem - the organisation that has painstakingly listed the names and last known details of every Jewish person who perished during the Holocaust. So I found their site online. I typed in the names of my paternal grandparents. I pressed send. And unbelievably, there they were on the database. Alma and Raphaele.
Their names were on pages of testimony from survivors, on a deportation list from Berlin, on a list of murdered Jews from Germany. The map accompanying their entries gave their final destination as Katowice, in Poland. The location of Auschwitz concentration camp. Under the heading: Fate, one word: murdered.
When I got over the shock of what I was looking at, I tried to recreate what I'd been told about them. It was so pitifully little. They were affluent members of their community. They were highly educated; they had read Goethe and Schiller. They had a maid called Kate who spoiled my father and his brother with sweets and cake.
I also knew that, despite the huge privations they were beginning to suffer, Alma made up a food parcel every fortnight to send to my father in England. Like all Jewish refugees, he was interned here for the duration of the war, meaning that he was forbidden to work and was dependent upon charity and meagre handouts from the state.
I thought about their final days together as the net closed upon the remaining Jewish population in Berlin. How two intellectual and cultured individuals were marched out of their comfortable family home, pushed into an over-crowded cattle truck, denied food and water and then, when they reached their destination, brutally separated from each other and summarily gassed, because the government of that time had decreed they weren't human beings any more.
And when I had stopped weeping, I thought about all the words we use to describe those other people, the ones that are not us: migrant, foreigner, immigrant, refugee. Jew, Arab, Muslim. Words that we think give us permission to hate. And I felt great sadness that nothing much has been learned.
So my journey to discover myself reaches its final stages. At the end of this month, I shall make an appointment with the German Embassy to present my documents. I hope that what I have discovered is enough to convince them to restore my family's citizenship and ensure that my descendants will forever be members of the European family to which they have a right to belong.
I will let you know their decision in due course.
Friday, 8 July 2016
|The 'welcome' that awaited my parents|
'Former German citizens who between 30th January 1933 and May 1946 were deprived of their citizenship on political, racial or religious grounds, and their descendants, shall, on application have their citizenship restored.'
German Basic Law, Article 116, para 2
The phrase 'and their descendants' leaped out at me. The writer, also of Jewish descent, described how his feelings towards the nation who had destroyed his family had, over time, undergone a change. Like me, he had been favourably impressed by the way Angela Merkel welcomed refugees into the country, comparing her actions with the weasel words uttered by our own Prime Minister.
It is easy to point the finger at Nazi Germany and conveniently forget that this country's government did very little to help Jews fleeing persecution. The extract from the Daily Mail shows clearly the thinking of many people in the UK, an attitude that we have seen emerge once again thanks to the legitimization of xenophobia during the EU Referendum campaigning.
So here's the plan: I am going to apply for restored citizenship, given that I and my family will soon be restricted in our opportunities to work, study or live abroad by a set of mendacious politicians intent on promoting their own agenda. I have already emailed the German Embassy. Ideally, I'd like dual nationality, so that my family could take advantage of it too.
I am estranged from my family - and my parents are now dead, so I have little original documentation to support my application - no birth certificates or proof of residence, thus I am now researching on the internet, looking for any information about my father's Jewish grandparents, whose names I know, but whose faces I never got to see in this world.
Wish me luck!
To be continued ....